MEDITATING MONKS AT PONGOUR FALLS

Photograph by DANG NGO

HANGING OUT ON THE BROOKLYN BRIDGE, 1914

Photograph by Eugene de Salignac/Courtesy NYC Municipal Archives

MOUNT RAINIER CASTING A SHADOW ON CLOUDS

Photograph by Nick Lippert (via Komo News)

7 HOURS IN ONE IMAGE

Photograph by Isil Karanfil (isilkrnfl on deviantART)

ONE BOAT AND 145 WATER-SKIERS

Photograph by MARK SEATON PHOTOGRAPHY

Showing posts with label Things you should know. Show all posts
Showing posts with label Things you should know. Show all posts

Monday, June 24, 2013

The Worlds Most Famous Unsolved Mysteries

The Assassination of John F. Kennedy

John F. Kennedy was shot once in the back and once in head while riding with his wife Jacqueline in a Presidential motorcade through the streets of Dallas, Texas on November 22, 1963. Lee Harvey Oswald was arrested 45 minutes after the shots were fired. After hours of interrogation, in which none of the proper procedures were followed, he was accused of murder. He was killed by Jack Ruby in the garage of the police building on November 24 in front of hundreds of journalists. On November 29, President Lyndon B. Johnson created the Warren Commission to investigate the assassination. It was headed by Earl Warren, the Chief Justice of the United States, and found that Oswald was the lone shooter and that he did it from the sixth floor of the Schoolbook Depository Building with an Italian Mannlicher-Carcano rifle.

Jack the Ripper

One of the oldest unsolved murder cases in the world, Jack the Ripper instilled fear into the heart of Victorian London and still captures our imagination today. Between August and November 1888, five prostitutes were murdered in Whitechapel, an area in the East End of London. Everything about the murders seems to be shrouded in mystery, from the identity of the killer to the letters that were sent to the police. Even the number of victims is under scrutiny. It is generally accepted that there were five victims of Jack the Ripper. Jack the Ripper had a real effect on, not only the rest of London, but also the entire British Empire. The legend played on the fears that poverty, crime, disease and social unrest were at their doorstep, and Jack the Ripper became the personification of all these evils.

The Mystery of Stonehenge

Built in three sections over 6,400 years by the Neolithic inhabitants of Salisbury Plain in Southern England, Stonehenge has captivated visitors for thousands of years. The site contains 30 sarcens (upright stones) weighing 26 tons and 30 lintels (horizontal top stones). Each stone weighs 6 tons and was carved from bluestone from a location several miles away. The Neolithic builders were able to create a monumental that has perplexed humanity for thousands of years using only stone tools, and without using draft animals. Even after all these years, nobody really knows why Stonehenge was built. The other mysteries surrounding Stonehenge are its construction and the significance of the giant blue stones used. As a result of the recent discovery, a new theory has emerged, one that states that Stonehenge was a place to celebrate the lives of the dead.

The Lost Island of Atlantis

--> One of the oldest mysteries in the world, the legend of Atlantis has mystified humanity since ancient times. According to the Greek philosopher Plato, Atlantis was a large island somewhere west of the Pillars of Hercules (the Rock of Gibraltar) and the home of an incredibly advanced civilization known as the Atlanteans. Plato described Atlantis as a place of immense beauty with a palace compound in the center of three ringed canals. He said that every king that inherited the palace would add to it, trying to surpass his predecessor and by doing so they made it a palace that surpassed any other in both beauty and wealth. The Atlanteans themselves were blessed with wealth but at the same they were incredibly ambitious, constantly seeking power. Atlantis is said to have met its end when it was hit by a giant earthquake and swallowed by the sea. But is any of this the truth or is the story of Atlantis just a myth?

The Riddle of the Sphinx

When one thinks of the Sphinx, they immediately think of the Great Sphinx at Giza, but the Sphinx was a powerful symbol in Greece, Phoenicia and Syria as well. In fact Riddle of the Sphinx originates in Greek legend. According to the ancient Greeks, if a man crossed its path the Sphinx would ask, “What is the creature that walks on four legs in the morning, two legs in the afternoon and three in the evening?” If they couldn’t answer, the Sphinx would devour them; however, if they answered correctly, the Sphinx would destroy itself. The only person said to survive an encounter with the Sphinx was the Greek hero Oedipus who answered “man.” Despite the riddle being solved, the Great Sphinx still poses many questions. How old is it? Who built it? And what was the purpose of the passageways?

Lost cities found beneath sands of the Sahara

Ruins from a long-lost civilization have been revealed beneath the desert sands of the Sahara. Evidence of the advanced Garamantes civilization had remained mostly undocumented due to the strict regime of Colonel Gaddafi, but now due to recent events in Libya archaeologists have a chance to finally investigate in full the secrets of this long lost ancient culture. “It is like someone coming to England and suddenly discovered all the medieval castles,” said Proffessor David Mattingly. “These settlements had been unremarked and unrecorded under the Gaddafi regime.”

Mysterious skull discovered in Peru

An elongated skull found in the city of Andahuaylillas has managed to baffle anthropologists. The skull possesses a number of unusual features including an elongated cranium, enlarged eye sockets and a set of adult teeth despite the fact that the skull appears to belong to an infant. A group of anthropologists who visited the site to view the skull allegedly concluded that it wasn’t even human while others have suggested that it could be the product of an ancient technique known as “cradle boarding” in which the child’s skull was elongated from an early age.

Bigfoot (aka Sasquatch)

Bigfoot is world-famous for spooking the bejesus out of hikers and hunters in North America and Scientists consider Sasquatch to be the result of folklore, misidentification and a whole lot of hoaxes. However, many people still believe these humanoid creatures exist around the world, just like the Yeti of the Himalayas. One of the most infamous unexplained mysteries in the world today, Bigfoot has been described as an ape-like creature, some 6-10 feet tall, weighing more than 500 pounds, and covered in dark brown or reddish hair. Witnesses give him large eyes, a heavy brow ridge and a crested head, much like a male gorilla. Footprints allegedly belonging to Bigfoot are 24 inches long.

Black Dahlia

She was known as the “Black Dahlia”. She had jet black hair and preferred black dresses and lingerie. Those who knew her best said she had a tattoo of an exotic flower on her inner thigh. She wanted desperately to be a Hollywood actress, but her fame would not come from the movies. It would come from her death, a murder which has gone unsolved for 60 years. On a cold morning in January 1947, the nude, mutilated body of 22-year-old Elizabeth Short was discovered in a vacant lot in the Leimert Park area of Los Angeles. What made the murder so unique was the barbaric nature of the crime. The Black Dahlia’s body had been neatly severed in half, gutted and drained of blood. Author Lawrence P. Scherb put the unusual crime into perspective: “Her face had been very brutally cut from ear to ear in a grin. Her throat had been cut and she had been mutilated sexually. Basically, she was the worst case of a sex crime in the history of Los Angeles County.”

Tuesday, June 18, 2013

5 Art Websites that Will Inspire You


Image from Flickr user Nina Matthews Photography
Art has the power to make us think outside the box, ask questions, fascinate and inspire curiosity. Whether the medium is through paint, photography or design, art is something that surrounds us every day and is objective in taste. We have compiled a list of  five websites that will dazzle your eyes, challenge your mind and expose you to many different lenses of artistic endeavors. This list is just the tip of the iceberg, so please feel free to tell us about any art websites that you recommend.
1.
ARTINFO
WHAT An online publication with up to the minute news about art and culture,
featuring reviews and events.
IN DETAIL ARTINFO.com is a creation of Louise Blouin Media and has a variety of
sections ranging from performing arts and fashion to lifestyle and visual arts.
UNIQUE For all the art connoisseurs out there, the site offers an index of sold paintings searchable by artist name, giving insight into the value of an artist at a given time and their marketing trend.
Image: Screenshot from ARTINFO.com
2.

Monday, May 27, 2013

Water Bridge in Germany

Water Bridge in Germany 


Friday, January 11, 2013

Quit Dissing My Megapixels--I love all 36 million of them!

Quit Dissing My Megapixels--I love all 36 million of them!

First of all, I must say that I have resisted the urge to write this post for over a year because I know I am going to get dozens of comments saying nothing more than “Megapixels are unnecessary–I want ISO.”  I often think that photographers simply repeat what they have heard other pro photographers teach online, and stick to it instead of investigating things on their own.
Before I get nerdy on you, allow me to provide some background if you’re newer to this debate.  On a camera sensor, there are millions of light receptors (called photosites) that collect information about how much light is present, color, and other information.  It used to be, in the early days of digital photography, that camera manufacturers could only fit 2 or 3 million pixels on these sensors.  Now, a sensor of the same size can contain 30 or more megapixels.  The problem with the proliferation of mexapixels on a sensor is that it reduces the space available for each photosite.  The smaller the photosites are, the more difficult it is for camera manufacturers to create cameras that can take pictures with high ISO levels and still maintain a low amount of digital noise.  So many photographers argue that they don’t want camera manufacturers to keep adding more megapixels on a sensor, and would prefer that the manufacturers instead focus on low light performance.

I COMPLETELY understand this sentiment.  I have missed many pictures in low light environments because my camera simply couldn’t take a clean picture without adding more light to the scene with a flash.  I understand that if all else is equal, the camera with fewer megapixels will produce images with less noise because each photosite has a larger area of light to gather from.  I get it.  Really–I do.  This mirrors a conversation I had with Scott Bourne a few weeks ago at the Google+ Photographer’s Conference, where he argued that the new Nikon D800 (which has 36.3 megapixels) should not be used by portrait photographers because it has too many megapixels.  I very respect Scott, but we disagree on this point.

Future-Proof Your Images with Higher Megapixel Cameras

Wednesday, January 2, 2013

50 essential photography tips

50 essential photography tips
Whether photography is a hobby or a profession, you'll get a whole lot more out of it if you understand how it works. With a firm grasp of aperture, shutter speed, sensitivity and focal length, the ratio of truly great to merely mediocre shots you download at the end of an expedition is all but guaranteed to climb.
Here we present CNET UK's 50 essential shooters' tips. Don't uncap your lens without them.
Aperture
1. Understand aperture
The most fundamental element any photographer should understand is aperture. The aperture is the physical opening within your lens that allows light through to the sensor (or film in an older camera). The wider the aperture opening, the more light can pass through, and vice versa.

Sunday, December 30, 2012

A women shares her home with 11 cats – four cheetahs, five lions and two tigers!

A women shares her home with 11 cats – four cheetahs, five lions and two tigers

Riana Van Nieuwenhuizen, shares her home with 11 cats – four cheetahs, five lions and two tigers! Wow, What a lady!
The sanctuary worker shares her South African home with not one but FOUR orphaned cheetahs, five lions and two tigers.
Forty-six-year-old Riana said: ‘I love them all. But they’re a handful.’
Riana bought her first cheetah, Fiela in 2006, after realising the big cats were in trouble and heading for extinction with only 1000 left in Africa.

Tuesday, November 27, 2012

Ten Tips for Taking Great Photographs in the Snow


November is one of the best times of year to take great photographs of polar bears, and Cape Churchill in Manitoba, Canada is known for being one of the best places to photograph these fearless, curious creatures. If you are interested in going to Cape Churchill, the only way there is by helicopter or tundra buggy, but I promise you it is an experience you will never forget.
To kick off my trip to Cape Churchill, my fellow photographer friends and I ate polar bear cookies as we loaded our gear on the helicopter.  Once we landed we had seconds to go from the helicopter to the tundra buggy. We would not touch the ground again for five days for our own safety.  As soon as we arrived, the polar bears took notice. Five minutes later they were sniffing and licking our footprints and headed toward our vehicle.

Tuesday, October 30, 2012

Jimmy Hickey Teaches How to Photograph a Stranger (Guest Post)


Note from Jim: I saw the video below last week as it was being passed around Pinterest (follow my photography boards here).  I have never written about street photography and photographing strangers before, so I contacted the creator of the video and asked him to share his best tips for photographing strangers here on Improve Photography.
                             
Photographing a stranger is something that is intimidating to a lot of photographers, and it’s completely understandable why. We are injecting ourselves into another persons life, and they might or might not be willing to let us photograph them. We might get turned down or forced to be in an awkward situation. But this struggle is something that is really fascinating because in a few short moments you can go from barely knowing someone, to creating an image with them that captures their true personality in photographic form. The photo captures automatically a little splinter of this persons existence, but a strong photo captures so much more.

Photographing strangers has always been a passion of mine from the first time I did it on the streets of Seattle until just yesterday while driving home in the Columbia River Gorge, and I am sure it will remain on my favorite thing to do list for a long, long time. I just turned 21, but I’ve been photographing strangers for years, it’s made me an animal. There’s some rules to this game, I wrote a manual. These four steps are what I use every time I want to photograph a stranger, and work well to both get the stranger to let you photograph them, and create a strong photograph in the process.
street photography
The Idea of Photographing Strangers 
You see a interesting person on the side of the road, before you stop the car, you must have an idea of the shot you want to create of this person. What will they be doing, how will they be posed, what will be in the background, what will the image represent etc. You need an idea before you commit to stopping this person and requiring time out of their day.

The Approach

Be confident, not just in your speaking skills, but in body language and overall presence. Be careful not to be too intimidating, and for sure not too afraid. You have to realize that they are going to be equally intimidated by your presence most of the time, if not more because you have a camera. So make the stranger feel comfortable, but feel you are a confident, successful, photographer, and they should be honored you want to create a frame with them. Start with a simple greeting, introduce yourself to them and mention why you want to photograph them. Some time people will be amazed that you noticed something unique about them, other times they will be somewhat smug and understand that they look “cool”. A simply opener I use is

“Hi, my name is Jimmy Hickey and I am a photographer based out of Portland Oregon. I’m working on a project photographing interesting people I meet no my travels. I noticed you biking on the side of the road and immediately thought I needed to photograph you. Would you mind if we talked for a little bit and I took a few photos of you? It should only take a few minutes then you’ll be on your way”

Obviously there is a lot of room to add in your own story and ideas, but that line has led to the majority of my shoots with strangers. The approach is intimidating at first, but does get better over time. You will only get better if you practice. Practice often, take photos of as many different strangers as you can and slowly you will get better and better at it. In regard to the time of the shoot, be sure to always mention that the shoot will only take a few minutes, you don’t know this persons schedule and they could be busy. But when you mention that it will only take a few minutes people are a lot more open to the scenario. If the location you are in isn’t ideal, suggest a quick move to a better shooting spot, but never more then a 10-30 yards, any more than that is a bit much. Plan your approach according to where you want to shoot them if possible. If the stranger says “no”, thank them for their time and send them on their way.



Man on motorcycle

The Creation
The best part! The actual creation of photographic images! This parts simple, TALK. Just ask them questions, get them talking about themselves. Ask questions relative to what they are wearing or where they are going or what they are doing. Ask them to expand on ideas and concepts. Just be a good listener, and be sure to ask relevant questions so they know you are paying attention. You need to make your subject feel comfortable. A photo of someone who is not at ease in front of the camera is going to be a bad photo. Keep the conversation positive and the shoot will go in a good direction. While all this is going on, study your subject, take some frames and just figure out the best way to capture them. Do not hide behind your camera, be sure to put the camera down (if they are not in a mega hurry) and talk for a few seconds before raising it back up. Once you have figured how to create the best image with them, don’t be afraid to ask them to pose a certain way or do a certain thing with their face at this time. Then simply take the best shot of your subject you possible can.

The Closing

After creating some gold, time to wrap her up! Show them an image, they will hopefully be excited about it. Thank them for their time, give them your business card or some way to contact you to see the photos. Ask if they would like a copy sent to them and if so SEND IT! Model releases are good ideas, and something I didn’t do originally with my strangers. Immediately write down any important details so you do not forget them over time. Do a write up if it was an interesting experience asap.

That simple!  It’s an intimidating process, but can be used to create some really strong photographs that would not have been created otherwise. 


One of my favorite stranger encounters:

This image represents everything I love about photography.

Street photography of a stranger

I traveled to Northern California, checked in to our motel room and no more than five minutes after getting settled in I saw this man getting out of his truck. Shirt off, cowboy hat, sweet beard, big belt buckle…having been busy this past month with paid work, I really haven’t had the time to dedicate the personal work I love to create.

I grabbed my camera, took my shirt off to fit in, and headed in his direction. I saw his Marine sticker on his rig and thanked him for his service. From there our conversation branched in to all subjects of life. The Cowboy, who’s name he wished to remain anonymous (but he did consider himself a cowboy and his nick name includes Cowboy), owns a horse ranch in Northern California as well as around 70 peacocks. He served in Vietnam and is currently taking the stock market for all it’s worth. He has survived multiple heart attacks and open heart surgery. To top it off, he is a bounty hunter for some pretty serious clients and wanted people. 95% of all money made through that goes into his foundation (again that I can’t name it, however it basically makes the world a better place)

We spoke for an hour about all sorts of things. There was never a dull moment. It was a extremely insightful and beautiful conversation. Despite the 97 degree heat beating down on my back.

Towards the end of the conversation I mentioned my love for capturing interesting people in photographs, and said I would be honored if I could take his portrait. He agreed under the condition that I kept his name private. We walked 10 feet away from where we were standing and created this frame.

I only shot for about 2 minutes, I knew the image I wanted in the location we had. He finished our conversation about a story from his experience in Vietnam.

He was assigned to take care of a small village. While there he handed out supplies to the people there. When he gave a small girl a wrapped bar of soap, she took it, and began eating it. At this point in the story, the hardened cowboy started to cry. This image was only captured by my eyes and only stored in my brain.

Traveling speaking, learning, befriending and capturing complete strangers. Every one of these encounters is an experience I take something important from, more than just an image. The worlds an amazing place and I am humbled by some of the people that inhabit this place.

SOURCE  : improve photography

Monday, October 29, 2012

Daimler Riding Car, 1885. The World’s First Motorbike.


Gottlieb Daimler and his ingenious colleague Wilhelm Maybach moved to Cannstatt near Stuttgart in 1882. Differences between the fifty-year-old Nikolaus August Otto and Daimler, two years his junior, had led to the latter’s departure from the Gasmotorenfabrik Deutz on the outskirts of Cologne. Now a wealthy man Daimler, could afford to make himself independent.

For 75,000 Goldmarks he bought a villa in Taubenheimstrasse in Cannstatt and moved there with his wife Emma and five children in June 1882. The property was ideal for his purposes: not only was it directly next to the spa facilities Daimler regularly visited for treatment for his weak heart, but it also benefited from a large garden and spacious summer house. He had an extension added to the latter, and installed a gas and water supply – his test workshop was ready.

In early October, Maybach also arrived in Cannstatt. He moved into a nearby property and initially converted one room of his apartment into a design office. Here he kept the drawing board on which he turned Daimler’s ideas into technical drafts: Maybach was skilled at giving them a functional form – and Daimler knew the value of his technician. When the two men agreed a contract even before leaving Deutz, Maybach was guaranteed substantial remuneration.

The goal shared by the two men was to develop a small, lightweight high-speed engine that was above all suitable for powering a vehicle. They were not alone, however. All around the world others were working on the same idea.

In 1885, the so-called riding car was built in Gottlieb Daimler's workshop as a test unit to prove the suitability of Daimler's and Wilhelm Maybach's gas or petroleum engine for everyday use.

Without knowing of each other’s work, Daimler and Benz had by this time already come to a common starting point: they both opted for petrol as the fuel for their engines and they would be the first to realise their efforts. The decision to use this fuel, which had excellent combustion characteristics, was fundamental to their internal combustion engines for vehicles.

Saturday, October 27, 2012

Leonid Rogozov - The Surgeon Who Operated on Himself


In April, 29th, 1961 a doctor of the 6th Soviet Antarctic expedition Leonid Rogozov aged 27 felt pain in a right lower belly and fever. The next day brought only exasperation. Having no chance to call a plane and being the only doctor at the station “Novolazarevskaya”, at night, in April, 30th the surgeon made an appendix removal operation on himself using local anesthesia. He was assisted by an engineer and the station’s meteorologist.

In 1959 Leonid Rogozov graduated from the Institute and was immediately accepted to the surgery clinical residency. However, his studies at the residency were broken off for some time due to Leonid’s trip to Antarctica in September, 1960 as a doctor of the 6th Soviet Antarctic expedition to Novolazarevskaya station.

During this expedition there happened an event that made a 27-year old surgeon world-famous.

In the 4th month of the wintering, in April, 29th, 1961, Leonid showed disturbing symptoms: weakness, nausea, fever and pain in a right iliac region. The following day his temperature got even higher. Being the only doctor in the expedition consisting of 13 people, Leonid diagnosed himself: acute appendicitis. There were no planes at any of the nearest stations, besides, adverse weather conditions would not allow to fly to Novolazarevskaya anyway. In order to save the sick member of a polar expedition there was needed an urgent operation on site. And the only way out was to operate on himself.

At night, on the 30th of April, 1961, the surgeon was being helped by a mechanical engineer and a meteorologist who were giving him the medical instruments and holding a small mirror at his belly. Lying half bent on the left side, the doctor made a local anesthesia with novocaine solution and made a 12cm incision in the right iliac region with a scalpel. Either watching in the mirror or by touch he removed an inflamed appendix and injected antibiotic in the abdominal cavity. In 30 or 40 minutes from the beginning of the operation there developed a faint and giddiness and the surgeon had to make pauses for some rest. Nevertheless, by midnight the operation lasting 1 hour and 45 minutes was over. In five days the temperature normalized, in two days more – the stitches were taken out.

In the St. Petersburg Museum of the Arctic and the Antarctic there is an exposure of surgical instruments that Leonid Rogozov applied for this uneasy operation.

An astronaut-pilot of the USSR, a Hero of the Soviet Union, German Titov wrote in his book “My blue planet”:

“In our country an exploit is life itself.

… We admire the Soviet doctor Boris Pastukhov, who injected himself with plague vaccine before applying it on the sick people: we envy the courage of the Soviet doctor Leonid Rogozov who made an appendix removal operation on himself in the hard conditions of the Antarctic expedition.

Sometimes I reflect upon this in solitude and ask myself if I could do the same and only one answer comes to my mind: “I would do my best…”

source : doctorshangout.com

Tuesday, October 23, 2012

8 Things You Didn’t Know Your DSLR Could Do



As with learning any topic, students usually learn a tremendous amount of information about a topic for the first while, then they reach a certain level of competency and halt all learning.  The same is true with photographers when we get a new camera.  When we first get our hands on a camera, we spend every waking second learning how to use it and all the buttons and dials.  Then… we suddenly stop. But if you stop learning your camera too soon, you miss out on some REALLY COOL features in most–but not all–DSLR cameras.

This post will hopefully enlighten you on a few features that are commonly (but not always) put in DSLR cameras that most photographers don’t know they have.

Oh, and my favorite thing about writing this post is that I just CAN’T WAIT to read the comments.  There are always a few “know it alls” who have to share with me the fact that they “knew that stuff already.”  I get a lot of pleasure out of those comments for some reason… but I hope everyone finds at least one thing in this list that is new.



Custom Picture 
Controls


First, some background.  Picture Controls (that’s Nikon’s name for it) or Picture Styles (for the Canonistas) are applied to every picture you take.  The RAW photo coming off the sensor lacks contrast, sharpness, and color saturation.  In fact, it’s downright ugly.  Your camera applies these adjustments to each picture to pretty it up for you. I have never worried myself with setting the Picture Control because I ALWAYS shoot in RAW.


However, I was out shooting with Dustin Olsen a few months back and looked at the back of his camera to see how the photos were coming out.  WOW!  It was so much more beautiful than my LCD screen!  Dustin sets a custom picture control so that the photos on the LCD screen look more like how they will look in post-processing.  This helps him to visualize the finished photo.  Changing the picture control if you shoot in RAW will not affect the image you see on the computer, but it will help you see what you’re capturing on the camera. To set a custom picture control or picture style, go to your menu and find the custom picture control setting.  I like to use these settings:   If you shoot in RAW instead of JPEG, this is still true because your camera saves out a JPEG preview that is used as the thumbnail image and to display on the LCD screen on the back of your camera.

Multiple Exposure

Multiple exposure can be pretty fun for creative effects, and it is an oft-overlooked feature on many DSLRs (not all of them have this).  Multiple exposure means the camera takes 2 or 3 (or more) photos in a row and then combines them to create one picture. For example, you might shoot a runner sprinting down the track.  For a creative effect, you could set your camera to multiple exposure and lock it down on a tripod.  Then take three pictures of the runner sprinting by and the camera will combine them into an action sequence.  You can get the multiple exposure effect in Photoshop too.

Time Lapse
Sorry Canon shooters, your DSLR most likely won’t have this feature; however, most Nikon cameras come with this feature.  A time lapse is when your camera is set to take a picture every second or so.  Then, the individual frames (usually taken over the course of 30 minutes or more) are combined to create a video like this one. On a Nikon DSLR, you can find this feature on the menu called “Interval timer shooting.”  I wrote out a tutorial here of how to do timelapse on both Nikon and Canon cameras.

Time Before Sleep

Nothing is more annoying when shooting than when the screen constantly turns off while you’re reviewing images on the LCD screen.  I like to take a nice long look at the photos and zoom in on different parts.  I like to work methodically most of the time, and especially when shooting landscapes.

All DSLRs allow the photographer to adjust how long a photo is displayed before the screen goes to sleep.  I like to set this to about 10 seconds.  If you are short on battery life, this probably isn’t a great idea, but I always have fresh batteries lying around and use a battery grip, so I don’t really worry about battery life nearly as much as I worry about being able to get a good long look at the photos I’m working with.

Lately, I’ve been experimenting in working with an iPad so when I shoot a photo, it shows up almost immediately on my iPad (wirelessly) so I can see the photos full screen.  I love it for landscapes where I’m working slowly and really checking each picture, but it’s probably impractical for shooting portraits, sports, wildlife, or other fast-moving subjects.


Flash Compensation

No, not exposure compensation.  Exposure compensation is when the photographer tells the camera to decide the correct exposure, and then get either brighter or darker depending on what exposure compensation setting the photographer set the camera to.

Flash compensation works similarly.  The camera will determine how much flash output is needed, and then the photographer can set the camera to either give more or less power to the flash according to the look that the photographer is attempting to achieve.

When might you use such a thing?  I thought you’d ask.  If you’re using an all-manual flash like the YN-560 (see my YN-560 review here), then this is entirely irrelevant.  This is also mostly irrelevant if you are using an eTTL or iTTL flash because those flashes allow the photographer to change the flash compensation from the flash’s menu so you don’t have to go through the camera menu.

The use-case for this is when you’re in a pinch and are forced to use that blasted pop-up flash.  Photographers hate using the pop-up flash because it looks ridiculously ugly since the light is coming from the same angle as the camera and therefore not directional.  However, if you use flash compensation, you can control how much flash is used and achieve much better pictures when you’re in a pinch and you need to use flash (like when Aunt Janet hands you her point-and-shoot to take a picture at the wedding).

Depth-of-Field Preview
This feature is somewhat better known among photographers, but still the kind of thing that a lot of photographers don’t notice until they have shot for years.  Most DSLR cameras have a small black button on the front of the camera just to the left (camera left) of the lens.  If you look through the viewfinder and press the button, it will make the screen go a bit darker, but it will also show you how the depth-of-field will look when you take the picture.

The button is useful because, contrary to popular belief, changing the aperture setting on your camera does not immediately adjust the aperture in the lens.  The aperture snaps into place only right before the picture is taken.  This is done so the camera can gather as much light as possible for focusing before the picture is taken.  So when you’re looking through the viewfinder, you already know what the depth of field will look like.  Don’t worry about the fact that the viewfinder will be darker–this is just because the closed aperture reduces the amount of light going through.

Instagram Mode

Newer model Canon and Nikon DSLR cameras have begun to include “Instagram mode,” but it currently requires two tablespoons of butter to activate.  All you have to do is smear the butter over the front element of your lens and viola!  You have that “beautiful” look that only Instagram can offer.
Sorry for those of you who aren’t geeky and don’t understand nerd humor.  Instagram is an iPhone (and Android) app for photography that puts some really overdone effects on photos so everyone can call themselves artists (okay, fine… it’s fun).
Back Button Focus
Using back button focusing can help get your focus more precise and faster.